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How much control do you have over your goals?

We're coming to the end of the year, which means that people around the world are going to start reflecting on the year that has just past and are going to start making those New Year's resolutions. It's only nature. A new year. A new start.

Many writers will start their year with new goals too. Some writers decide to finally get their names out there, building their online presence. Others will set the goal of publishing that book. Others just want to finish the dreaded manuscript. Whatever the goal, there will be common threads among writers.

You have likely seen a few messages or posts on other sites regarding SMART goals. This is important, because they do make the goals attainable and a little less daunting. However, there is an additional aspect to goal setting that I want my fellow writers to think about.

How much of your goal is in YOUR control?

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Police, Death, and Writing

On December 27, 2017, I started penning my crime thriller where a writer encounters a sinister website that leads to a game of cat-and-mouse with a serial killer. The idea was bouncing around in my head for two full years before I eventually started writing anything. All I had was the opening scene and the closing scene. Now, for obvious reasons, I have so much more.

However, as part of writing this novel, I've had to do extensive research into how Atlanta PD does things, how they're structured, as well as getting my head around some interesting aspects of US law and criminal investigations. It's been a testimonial to my mad research skills, because I live in New Zealand, and almost all of my research has been via the internet, and the occasional reference book. My research led me to police department websites, FBI public pages, state department documents, forensics magazines, YouTube channels for various cops, and a whole range of other resources. In some cases, I had to make generalizations, using what only made logical sense. In other cases, I was able to pull on specifics. Regardless, I was learning something new every day.

Stories need to contain that element of real, and I think I got there. However, as every writer knows (or at least they should know), not all research will find a manuscript. Sometimes, the writer needs to know that little detail just to add the realism, but the reader doesn't get all the knowledge.

Below is just some of the interesting facts that I've discovered along the way. Some of them have found the manuscript; some have not. 

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Assassins, Spies and SAS. Oh My…

In a recent post, Fight Scenes: Instinct & Perspectives, I spoke about emotional engagement and the perspectives used for writing fight scenes. I touched on fight-or-flight, and how a writer can use that to their advantage. However, I also spoke about believability. If elements of your fight scene delve into the unbelievable, you will lose your reader.

While most people are able to easily visualize how the average Joe will respond in a fight, what their actions would be, and their capabilities, there is one type of fighter that is often used within fight scenes that majority of people can't truly relate to.

I'm talking about those characters who are highly trained to be assassins, spies and special forces soldiers (or SAS, as they are known in some countries). While all of these characters will have different backgrounds and different skill sets, there will be commonalities to the way they behave. Their reactions to a given situation can almost be predicted.

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Easter

Easter is exactly when it should be…

Every year, I hear someone complaining about how Easter is too late, or Easter is too early. And the number of people that complain about how Easter can't seem to have a fixed date… Every year, I respond to these complaints in the same fashion.

"You do know how Easter is calculated, don't you?"

The blank stares are borderline hilarious.

Easter is always the first Sunday after the first full moon after the Spring Equinox.

(Okay, the Spring Equinox for the Northern Hemisphere.)

It's a simple calculation really, or at least one would assume so, until they discover the truth behind the equation. While the description appears to be one based on astronomical events, it's really not.

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How important really is grammar?

When I tell people that I'm a freelance editor (including other writers), they instantly assume that I'm a copyeditor, with a keen interest in working on the grammar and punctuation of my clients. I'm not surprised that writers often jump to that conclusion. Majority of editors that I encounter actually ARE copyeditors. However, what is the point behind looking at the appropriateness of a given word in a sentence when on page 152 the bad guys are setting up the bomb that will level the city, and the good guys find the bomb and disarm it by the end of page 154.

This may sound incredibly odd coming from a professional editor, but in all honesty, grammar takes a backseat to story and character.

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