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My Mother at Butterfly Creek

Eulogy for My Mother

It came out of nowhere. There was no warning that something would happen. To top matters off, it was a rare side effect to a standard practice of treatment.

Yet, my world was flipped upside down in a matter of hours.

On Monday 21st September, 2020 at 6:12 pm, I received an odd text message from my father, stating that my mother had a heart attack and was in transit to Christchurch Hospital. It came through on my smartwatch while I was on the toilet. Let's just say that it was the fastest pee-wipe-and-flush that I have ever done in my life.

(I don't think I'll ever understand why he didn't just phone, but that doesn't matter now.)

I'm going to rush past the chaos that happened that night, because it too doesn't matter at this moment. What does matter is that late on Monday evening, my mother developed a brain bleed as a result of a medication that she was given prior to transport to Christchurch. She had a stroke and slipped into a coma.

On Wednesday 23rd September, 2020 at 1:58pm, she was pronounced brain dead.

I have made so many notes about what happened, trying to reason it all in my head. I'm not sure I'll ever fully reason it. But I try.

What follows is the eulogy that I had read out at my mother's memorial service the following week.

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US Law and Cellphones

I will admit that I have a morbid interest in crime and criminal investigations. My brain is happy to think about what nasty things bad guys can get up to. As a fiction writer, that is not only going to be bad, it's going to lean towards pure evil—then take it one step further.

My stories are primarily set in the US, which means I have to spend a significant amount of time getting my head around various aspects of US law and police procedures. With there being differences between federal, state, and country (sometimes even city), it can seriously do the head in.

But the joys of being a fiction writer, I only need to be plausible. Not everything I read about US law will make its way into one of my manuscripts, but some readers might be interested in learning about the technological aspects of US law that I uncovered.

Today, it’s the little quirk associated with looking at an arrestee’s smartphone.

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How “current” should our stories be?

Every time we turn around, there is some other big news story that seemed to be changing the global landscape... and driving a few writers into insanity (not that we weren't insane before).

In 2001, there was the terrorist attacks that took down the Twin Towers in New York City. In 2018, you had a trademark scandal that swept through the publishing industry. In 2020, you have COVID-19. You also had the #BlackLivesMatter movement. In 2021, you had the riots in Washington, D.C. In 2022, you have the Ukraine war that erupted into chaos. In 2023, ChatGPT came on the scene. And in 2025, Pope Francis died, and the US has their tariff war.

No one will dispute that those events are not relevant, because they are. BUT are they vital to be included in your story? How "current" does your story need to really be?

Let's face the truth here, folks. By the time you've fully drafted, edited, and have gone through the publishing cycle, you could be looking at years before those stories are seen by the world at large. At that point, the latest hot news topic will have changed.

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An Era of Space in CrazyTown

I think everyone will agree with me that the year 2020 was a nightmare from the start. Everyone I know was begging for 2020 to be rebooted, and the world has become a CrazyTown.

This post was written on May 31, 2020, at least that was the date where I live, and I had just finished watching the launch of the SpaceX Falcon 9 rocket and the Crew Dragon capsule. It might be hard to believe, but I'm sitting here crying as I type this, and I'm not sure if I can fully explain why, but I'm going to do my darndest to try.

As far as I'm concerned, that launch was the true start to 2020. Sure, by May, it's nearly half over, but it wasn't until that launch that I finally felt like hope was on the horizon. It wasn't until that launch that I could finally breathe deeply again.

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The Story Grid by Shawn Coyne: The idea is good, but the book is confusing.

A few months back, I was part of a discussion on Facebook about books that are specific to developmental editing. Being a developmental editor, I watched the thread like a hawk. I wanted to know what books are out there and what was high on the recommended lists. Many of the books discussed I already had, but there was one that came highly recommended by several on the thread.

The book in question: The Story Grid by Shawn Coyne.

So, I ordered a copy of the book myself. It took approximately 6 weeks to arrive (shipping to New Zealand is always a long, drawn out wait), and when it got here, I sat down and started reading. And instantly regretted buying the paper version of the book.

Don't get me wrong: the technique presented in the book is gold. The book itself…

The editor NEEDED an editor.

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