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Guilty

Should you hire an editor who isn’t published?

Editors have their insecurities just as much as writers do. One common insecurity among editors is how to handle the situation where people won't hire us (or trust our knowledge) simply because we aren't published ourselves.

Editing can be very expensive, so writers want to ensure that their money is not being wasted. They want assurances that the editor being hired is able to do the job and do it well.

However, just because a person has published a book doesn't mean that they would be a good editor. And just because they haven't published doesn't mean that they would be a lousy editor. All it means is that they've published… or haven't published.

Yet, I have seen this rotten advice given to newer writers time and time again on social media feeds.

Let me say it right now: Anyone who swears by this rotten advice is missing out on the services of some extremely talented editors who have years (and, in some cases, decades) of experience behind them.

In today's post, I want to take a deep dive into why this rotten advice is rotten, and explain why you can't focus entirely on an editor's personal publication history when seeking their services.

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Woman looking at what it means to be diverse.

Has Woke Culture Become Too Much?

I have been thinking about this for quite some time, trying to understand why film, television, and books seem to be filled with stories that want to push some form of political correctness agenda. They push into the foreground sexual relationships and gender identity issues that seem to have no context or relevance to the story. For me, this is a problem.

Before I get too far, I need to highlight that I deliberated for a long time about whether I should say anything about this on public channels or not. In the end, I decided that this push for diversity has created a gap within storytelling that is harmful to the industry as a whole. As a developmental editor and writing coach, I can't let it go by without it being addressed.

I have zero issue with LGBT+ stories, as long as that sexual orientation is just a part of the character. I adore reading stories about characters from other cultures and different backgrounds, as long as those cultures are put into context. And as far as I'm concerned, the physical appearance of a character almost has no place in written stories, unless there is something significant that has an impact on the way the characters interact (or impacts on the plot). Everything that is on the page (or on the screen) needs to have context.

And in my opinion, that is the heart of the problem. In many stories being produced today (enough to be noticed), the push for diversity is without context within the storytelling.

If you are willing to humor me for a moment, I will explain why context is vital when it comes to diversity in stories.

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Confused Mother

What happened to “communication”?

As I write this, my husband and I are trying to work with a contractor to get our bathroom renovated. The house was built back in the 1980s, and we're fairly certain that it's the original cabinetry and other bits. The taps and shower head were changed out back in 2005, along with a new shower door, because that is all stuff that my husband and I did back when we bought the house. But now that we don't have "little ones" anymore, it's time to get rid of the dinky bathtub and give the room a bit of a facelift.

So, new shower, new vanity, new toilet, and new GIB on the walls and ceiling… along with new lights, new fan, new heater…

You get the idea.

Well, this entire experience of working with the contractor has opened my eyes to how contractors do business—or more appropriately, how they shouldn't do business. And my biggest gripe: Lack of communication.

Let me give you a bit of history here, so you can see why I'm really getting miffed about this "lack of communication" issue.

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AI-Generated vs AI-Assisted: Where I draw the line

If you aren't sure what I'm talking about when I say ChatGPT… What rock have you been living under?

Writers around the world (novelists, screenwriters, poets, short story writers, etc.) became concerned when ChatGPT exploded onto the scene in late 2022. No one really knew what it could do or how far it would go. And the market became flooded with AI-generated stories—most of which were not worth the 1s and 0s used to create them. But ChatGPT evolved… and so did the concerns.

In 2023, it came to light the copyright nightmare that was ChatGPT, and we're still trying to deal with that as an industry. Amazon added tags to their KDP system, requiring that publishers specify if a body of work was created using artificial intelligence (AI). Lines were being drawn about the ethical usage of the technology, and lawsuits were filed against OpenAI (and other AI developers) regarding their abuse of copyright laws in sourcing the materials used for training of the algorithms.

We are now in 2024, and there is still so much we don't know or can't agree on regarding the usage of AI within publishing. There is only one thing that is certain: AI is here to stay.

As writers and editors, we are now being forced to make decisions about how we will conduct business. It's about drawing a line between AI-generated works and AI-assisted works.

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I’m where chain mail comes to die

Frequently, I'll see a post on Facebook (or some other social media feed, but mainly Facebook, because that is where I tend to spend most of my social media time) where the post is encouraging people to copy the post and paste it into their own personal feeds. It might be a "challenge" post, sharing a photo about something random. Or it's a post about sharing some statement about being seen. Or something else entirely different. And…

Nope. Can't be bothered. Seriously, peeps, I am that lazy.

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