Category: The Editor’s Hat

Advice for writing and editing, along with some thoughts about working with editors.

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9 Questions to Focus on Your Hopes and Dreams

The last month was a whirlwind dose in reality for me. There are parts of my psyche still wishing I could wake up from the nightmare. No matter how I look at it, life in my little corner of the world changed forever. But that's not necessarily a bad thing.

When life-changing events happen, we often step back and review our lives and priorities, realigning our paths with what really matters. Are we on the path we originally set out on? If so, is it still the right path? If not, is this new path the right path, or have we deviated so far from the dream that we need to shift our focus?

That's what the last month turned out to be for me. That's really what the last few months have been about for me. And this is what I want my readers to do today.

Sit back and examine the path you're on. Are you still working towards your hopes and dreams? Or did life take an unexpected turn? Do you need to adjust things to get yourself back on track? Or do you prefer this new path better? Be honest with yourself.

It's time to assess how far from the dream your current path has taken you.

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US Law and Cellphones

I will admit that I have a morbid interest in crime and criminal investigations. My brain is happy to think about what nasty things bad guys can get up to. As a fiction writer, that is not only going to be bad, it's going to lean towards pure evil—then take it one step further.

My stories are primarily set in the US, which means I have to spend a significant amount of time getting my head around various aspects of US law and police procedures. With there being differences between federal, state, and country (sometimes even city), it can seriously do the head in.

But the joys of being a fiction writer, I only need to be plausible. Not everything I read about US law will make its way into one of my manuscripts, but some readers might be interested in learning about the technological aspects of US law that I uncovered.

Today, it’s the little quirk associated with looking at an arrestee’s smartphone.

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Woman reading on a tablet

The Spectrum of Genre

Whenever I meet a writer for the first time, the conversation often turns to what genre we read and write. Will we be able to find some common ground from which we can build a connection — other than the fact that we're both writers?

When I first started out on my editing career, I would encounter the odd person who insisted that they didn't write a genre. They wrote fiction. To this, I would nod and smile — and gauge whether they would be receptive to a quick education. But now, the writers I encounter seem to understand that fiction is marketed based on genre. It is important for a writer to understand the ins and outs of their specific genre and subgenre. Get it wrong, and the fans of those subgenres will flay you alive.

In today's post, we going to take a quick look at the spectrum of genre.

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The difference between a critique partner and a beta reader

Getting another set of eyes on that manuscript is vital. Sometimes, we think we wrote something in a certain way, but for whatever reason, what we thought we put on the page isn't what we actually put on the page. Sometimes, we get too close to our stories that we can't see the forest for the trees. Without having that external input, vital issues easily slip through the system.

It can be a costly venture to employ a developmental editor, something that can be beyond the budgets of many writers. But a developmental editor is NOT the only way you can get that vital feedback.

Every writer I know, myself included, uses critique partners and beta readers as part of their editorial process. However, there seems to be some confusion about what these two types of readers do.

It's time to delve into the nitty-gritty as to what makes a critique partner different from a beta reader.

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Avoiding the Shiny, New Syndrome

There comes a point within a manuscript's life cycle where it loses its shiny luster. Sometimes, it's because we've been working on the manuscript long enough that there is nothing new in it for us to discover. Or maybe we've gotten stuck and have no idea how to move the story forward. Or perhaps we've hit a scene that we just don't want to write though we know it needs to be there.

Regardless the reason for why the manuscript now seems dull to our imaginations, that will be when a new shiny bauble dangles in front of us, distracting our brains from the story we are meant to be working on.

Some writers will chase the new shiny, but following every shiny, new idea can lead to the road filled with incomplete manuscripts. There is one thing that all successful novelists have in common: They finished a manuscript.

As such, every writer wishing to pursue publication needs to develop the discipline needed to persevere on a manuscript that has lost its shiny-new luster.

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