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Writing relies on a reader’s knowledge

If you read through various blogs about writing, there is a common theme: Don't treat your readers like they're idiots. This is 100% true, because your readers will have experiences and knowledge that they bring with them, interpreting your stories with that eye. But are you taking full advantage of that preexisting knowledge?

The acclaimed science fiction writer Ray Bradbury wrote many novels and short stories that were printed in the 1950s and 1960s. His readers had survived World War II, bringing with them the knowledge and experiences they had from during the war, including the colloquial terms. Readers of today can still enjoy his stories, but there will be elements we will miss because the subtext is meaningless without the World War II experience.

Today's readers of 2001: A Space Odyssey laugh at how far off-base the predictions regarding space travel and artificial intelligence were. But it was written in 1968, one year before Neil Armstrong and Buzz Aldrin landed on the moon. Had the space program continued at the rate it was back in the late 1960s, not stopping at the moon, then we would likely already have a colony on Mars today, changing some of the meaning of that book and movie.

While we are hopefully crafting our stories in such a way that they are timeless, there will always be a partial reliance on preexisting knowledge to understand some subtext. It's time to look at how much hidden subtext is buried within your own writing based on the experiences and preexisting knowledge of your current readers.

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The Camera of Point of View

It's not surprising that a conversation about writing eventually turns to a conversation about point-of-view (POV). Exactly how the narrative shapes the perspective of the story will have a direct impact on the reader's experience.

The POV is not just about understanding which character will act as the narrator. Yes, that's part of it, but the POV also has a depth of perception that defines how much the reader knows about what is going on.

Classifying the POV isn't as straightforward as saying that a passage uses first, second, or third person. It's much more than that.

Today, let's look at an overview of the different narrative POVs that you might find within fiction, include a few examples, and possibly provide some insights into what effect the different POVs might have.

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9 Questions to Focus on Your Hopes and Dreams

The last month was a whirlwind dose in reality for me. There are parts of my psyche still wishing I could wake up from the nightmare. No matter how I look at it, life in my little corner of the world changed forever. But that's not necessarily a bad thing.

When life-changing events happen, we often step back and review our lives and priorities, realigning our paths with what really matters. Are we on the path we originally set out on? If so, is it still the right path? If not, is this new path the right path, or have we deviated so far from the dream that we need to shift our focus?

That's what the last month turned out to be for me. That's really what the last few months have been about for me. And this is what I want my readers to do today.

Sit back and examine the path you're on. Are you still working towards your hopes and dreams? Or did life take an unexpected turn? Do you need to adjust things to get yourself back on track? Or do you prefer this new path better? Be honest with yourself.

It's time to assess how far from the dream your current path has taken you.

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US Law and Cellphones

I will admit that I have a morbid interest in crime and criminal investigations. My brain is happy to think about what nasty things bad guys can get up to. As a fiction writer, that is not only going to be bad, it's going to lean towards pure evil—then take it one step further.

My stories are primarily set in the US, which means I have to spend a significant amount of time getting my head around various aspects of US law and police procedures. With there being differences between federal, state, and country (sometimes even city), it can seriously do the head in.

But the joys of being a fiction writer, I only need to be plausible. Not everything I read about US law will make its way into one of my manuscripts, but some readers might be interested in learning about the technological aspects of US law that I uncovered.

Today, it’s the little quirk associated with looking at an arrestee’s smartphone.

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Woman reading on a tablet

The Spectrum of Genre

Whenever I meet a writer for the first time, the conversation often turns to what genre we read and write. Will we be able to find some common ground from which we can build a connection — other than the fact that we're both writers?

When I first started out on my editing career, I would encounter the odd person who insisted that they didn't write a genre. They wrote fiction. To this, I would nod and smile — and gauge whether they would be receptive to a quick education. But now, the writers I encounter seem to understand that fiction is marketed based on genre. It is important for a writer to understand the ins and outs of their specific genre and subgenre. Get it wrong, and the fans of those subgenres will flay you alive.

In today's post, we going to take a quick look at the spectrum of genre.

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