Category: The Editor’s Hat

Advice for writing and editing, along with some thoughts about working with editors.

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How To Assess the Quality of Editorial Feedback

Feedback from external eyes is a vital part of the process for any writer working towards publication. It doesn't matter if you are new to writing or have been writing for decades with multiple publications to your name. Any writer on the road to publication will get feedback about their writing at some point during a book's life cycle.

It might be from critique partners, beta readers, editors, or friends. Those external eyes help us to see what is really on the page.

Let's face reality here: What we thought was on the page might not actually be there. We know our stories so well that what we thought was obvious might be confusing to another person who doesn't know what is inside our heads. They won't see things the way we do. But until we get that vital external feedback, we have no idea if something reads how we imagined it.

While I have written about how to handle feedback before, in today's post, I want to address editorial feedback specifically. I'm talking about the feedback that comes back from editors, either freelance editors that we've hired or editors assigned to our books by the publishing house. While it is still feedback, because it comes from a source that is seen as authoritative, it does carry a different feel.

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Initial Communications Say More Than You Know

Don't delude yourself: first impressions matter. We judge people by those first few seconds, and it is incredibly difficult to change someone's opinion after that judgment has already been made.

"Don't judge a book by its cover." Yet we do it ALL THE TIME.

There are countless examples where first impressions matter. But the one arena that people tend to forget about is digital communications (email and social media). It has become way too easy to send off emails, treating it like a text message with a friend, rather than a business or formal method of communication.

I can rant until I'm blue in the face about social media interactions, but today, I want to focus on email communications and the hidden messages that exist in those lines of email.

I will be taking examples from some of my communications with prospective clients, paraphrasing and hiding the identity of those email writers. But I want to give you some insight into the subtext I gleaned from those emails.

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The Inner Critic… Will they win?

Editing... Just when I thought I had finished with this manuscript, there it is again. The revisions go on, and on, and on, and on... Did I mention that they go on and on?

When you're writing, it's the inner critic that whispers sweet little nothings about self-doubt that just won't go away. If you're anything like me, you type so fast that sometimes your brain struggles to keep up; the spelling goes out the window and the autocorrect monster just gobbles up that carefully chosen word... without you noticing!

But the editor in me can't just let a new piece of writing go unchecked. I always go back and reread what I had written after a break (even a break as short as a toilet break). I see the punctuation errors, the grammar flaws, and the faults in the writing itself. I struggle in a big way to shut off the editor brain long enough to actually do any writing.

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The Pinch Points of a Story

For years, I have been talking about story structure (at least I have within my in-person writing groups). And for years, I've been trying to help writers understand that the antagonist is just as important to a story as the protagonist.

It all comes down to understanding both the role of the antagonist in a story and their nature. While I have written about this before, to quickly summarize, the antagonist is simply getting in the way of the protagonist achieving their goals, whatever those goals might be. But that doesn't make the antagonist a villain. In fact, the antagonist can be anything that is getting in the way, be that another character, the weather, societal norms, or the protagonist themselves.

When we're looking at story structure, there will be points within the story where the reader gets to see the antagonist in all their glory. Two critical beat points that are antagonistic beats are known as the pinch points.

Be advised that this blog post refers to beats and sections described in the Mohr Story Structure model.

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Death of the Author (Literary Term Explained)

I don't remember where I first heard the term, but I had encountered an entire conversation on one of my social media channels about the death of the author. It turns out that it's a term that refers back to an essay from 1967. In that essay, entitled The Death of the Author, Roland Barthes postulated the idea that at some point (after publication), a story takes on a life of its own, separate from the writer's intentions.

The idea makes sense when you think about it, because readers will add their own context and meaning to things based on their personal experiences. However, the essay has been debated for many long years about how much an author's intent should be incorporated into literary discussions about the meanings behind a written work.

In today's post, I want to take a look at this death-of-the-author idea, pointing out how I'm watching my own death unfold before my eyes… and my novel is still a newly-published work.

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