Category: The Editor’s Hat

Advice for writing and editing, along with some thoughts about working with editors.

Open post
Woman with knee tucked up in front of her while typing on a laptop and enjoying a cup of coffee.

Is First Person Really More Intimate?

Some time ago, a writing buddy of mine received a “Revise and Resubmit” (R&R) on her crime novel, with an attached editorial note stating that the editor thought it would work better in first person.

For a moment, I want to reflect on the simple fact that she got an R&R. People, this is an awesome thing for a writer to get.

  1. It's not a rejection.
  2. The acquisition editor saw something in your story and writing that has great potential, but they felt the manuscript wasn't quite ready to take before the powers that be who issue and sign contracts. The editor is giving the writer another chance.

If you get an R&R, celebrate! Then take the time to look over the editorial notes and seriously consider their merits.

Okay, so after we finished celebrating the fact she got an R&R, she told a group of fellow writers about the editor wanting the manuscript in first person. There were roughly ten of us around the table that day, and several piped up quickly to say, "first-person narratives were more intimate." There I was, sitting on the other side of the table, biting my tongue. The others in the room were so adamant about their view, and nothing I could say would change their point of view. More importantly, my writing buddy agreed with them.

Read More

Open post

Exposition: A Literary Term Defined

Put your hand up if you are one of the many writers out there who hears one of the many terms that industry professionals throw out at you and you blink. "What exactly does that mean?" Let's not forget how stupid we feel for not knowing. However, there are so many well-known writers who are just as much in the dark about some of these terms as the rest of us.

In a recent post, I defined the term purple prose. Today, I want to talk about another term that tripped me up when I first started (and trips up so many new writers, understandably so): Exposition.

Basically, exposition is a comprehensive description of an idea. That is the dictionary definition, but what does this mean for writing?

Read More

Open post

Police, Death, and Writing

On December 27, 2017, I started penning my crime thriller where a writer encounters a sinister website that leads to a game of cat-and-mouse with a serial killer. The idea was bouncing around in my head for two full years before I eventually started writing anything. All I had was the opening scene and the closing scene. Now, for obvious reasons, I have so much more.

However, as part of writing this novel, I've had to do extensive research into how Atlanta PD does things, how they're structured, as well as getting my head around some interesting aspects of US law and criminal investigations. It's been a testimonial to my mad research skills, because I live in New Zealand, and almost all of my research has been via the internet, and the occasional reference book. My research led me to police department websites, FBI public pages, state department documents, forensics magazines, YouTube channels for various cops, and a whole range of other resources. In some cases, I had to make generalizations, using what only made logical sense. In other cases, I was able to pull on specifics. Regardless, I was learning something new every day.

Stories need to contain that element of real, and I think I got there. However, as every writer knows (or at least they should know), not all research will find a manuscript. Sometimes, the writer needs to know that little detail just to add the realism, but the reader doesn't get all the knowledge.

Below is just some of the interesting facts that I've discovered along the way. Some of them have found the manuscript; some have not. 

Read More

Open post

Purple Prose: A Literary Term Defined

There are many different terms that are commonly used within the publishing industry that many new writers look at those terms with one simple response: "Huh?" Even a few experienced writers will look at those terms and be completely baffled.

Over the past few weeks, I've been compiling a list of these terms. The list is actually quite extensive, and much bigger than I first thought. I've decided that it's time to help new and experienced writers to learn what some of these terms mean, so if you ever encounter them in an editorial report, you're not completely confused by what the editor is saying.

Let's start with one that tripped me up when I first started as a writer: Purple Prose.

To put it simply, purple prose is any passage that is excessively descriptive.

Read More

Open post

Using an Editorial Synopsis to Find a Story Split

So you've gotten into writing this story idea, and the word counts are steadily climbing. You're not even a third of the way through your intended plot, and already you've hit the industry accepted word count for your genre. Before you rush off to turn your manuscript into a trilogy, think this through.

As I've discussed before in the post Length matters, but story matters more,  agents and editors use word counts as a first-level indication of the maturity of the writing. Going dramatically over what is considered to be an acceptable word count length could be a sign of over writing — writing that is filled with too much backstory or unnecessary description. Yet, coming under the word count could be a sign that not enough attention was given to the details — that a story is all tell and no show.

But let's say that you are the most gifted writer on the planet, and that every word in your manuscript has its purpose. (We'll ignore the fact that a professional editor will have different ideas, but we'll carry on.) There is no way that you can do your story proper justice in a single book. Or maybe you set out from the beginning to actually write a series.

The place where a novel finishes is NOT when you hit 100,000 words, but rather when a story plot arc comes to a conclusion. This is where the dreaded synopsis can help in a big way.

Writers who are heading down the traditional publication path are likely about to scream at me. Synopses are scary things — whittling that 80,000+ words into only 500. But that's a submission synopsis. What I'm talking about is an editorial synopsis. 

Read More

Posts navigation

1 2 3 … 9 10 11 12 13 14 15 16
Scroll to top