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Handling Feedback

At some point within a writer's career, they will start sharing their work with others, be it critique partners, beta readers, editors, or friends. Sharing that work with others comes feedback. How you handle that feedback is just as important as getting it.

From the feedback that makes us blush to the feedback that makes us angry or want to breakdown and cry, there is an art to handling that feedback and identifying what you can actually work on as a writer. So let's get to it.

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What Exactly is VOICE? A Literary Term Defined

I love your voice. You need more voice. We're seeking a strong voice.

I don't know how many times I've seen strong voice listed among the desirable traits on an agent's wish list, or comments on those critiquing blogs about lacking a distinctive voice. Meanwhile, the comments from various writers climb: What exactly is voice?

To put it simply, voice is the personality in the writing. It's about understanding how to get your personality, or that of your characters, to shine through on the page. Everything else is meaningless.

Here's the thing about voice: it's something that develops over time as you become more confident with writing. Basically, there really is only one way to develop a strong voice: write, edit, write, edit, write, edit, lather, rinse and repeat.

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Woman with knee tucked up in front of her while typing on a laptop and enjoying a cup of coffee.

Is First Person Really More Intimate?

Some time ago, a writing buddy of mine received a “Revise and Resubmit” (R&R) on her crime novel, with an attached editorial note stating that the editor thought it would work better in first person.

For a moment, I want to reflect on the simple fact that she got an R&R. People, this is an awesome thing for a writer to get.

  1. It's not a rejection.
  2. The acquisition editor saw something in your story and writing that has great potential, but they felt the manuscript wasn't quite ready to take before the powers that be who issue and sign contracts. The editor is giving the writer another chance.

If you get an R&R, celebrate! Then take the time to look over the editorial notes and seriously consider their merits.

Okay, so after we finished celebrating the fact she got an R&R, she told a group of fellow writers about the editor wanting the manuscript in first person. There were roughly ten of us around the table that day, and several piped up quickly to say, "first-person narratives were more intimate." There I was, sitting on the other side of the table, biting my tongue. The others in the room were so adamant about their view, and nothing I could say would change their point of view. More importantly, my writing buddy agreed with them.

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Exposition: A Literary Term Defined

Put your hand up if you are one of the many writers out there who hears one of the many terms that industry professionals throw out at you and you blink. "What exactly does that mean?" Let's not forget how stupid we feel for not knowing. However, there are so many well-known writers who are just as much in the dark about some of these terms as the rest of us.

In a recent post, I defined the term purple prose. Today, I want to talk about another term that tripped me up when I first started (and trips up so many new writers, understandably so): Exposition.

Basically, exposition is a comprehensive description of an idea. That is the dictionary definition, but what does this mean for writing?

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Police, Death, and Writing

On December 27, 2017, I started penning my crime thriller where a writer encounters a sinister website that leads to a game of cat-and-mouse with a serial killer. The idea was bouncing around in my head for two full years before I eventually started writing anything. All I had was the opening scene and the closing scene. Now, for obvious reasons, I have so much more.

However, as part of writing this novel, I've had to do extensive research into how Atlanta PD does things, how they're structured, as well as getting my head around some interesting aspects of US law and criminal investigations. It's been a testimonial to my mad research skills, because I live in New Zealand, and almost all of my research has been via the internet, and the occasional reference book. My research led me to police department websites, FBI public pages, state department documents, forensics magazines, YouTube channels for various cops, and a whole range of other resources. In some cases, I had to make generalizations, using what only made logical sense. In other cases, I was able to pull on specifics. Regardless, I was learning something new every day.

Stories need to contain that element of real, and I think I got there. However, as every writer knows (or at least they should know), not all research will find a manuscript. Sometimes, the writer needs to know that little detail just to add the realism, but the reader doesn't get all the knowledge.

Below is just some of the interesting facts that I've discovered along the way. Some of them have found the manuscript; some have not. 

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