You have a character that comes from a particular region of the world. The people from this region tend to speak in a particular fashion. It's distinctive, and the moment anyone hears it, they instantly get a sense of the type of environment that the character came from.

It's only natural to want to put that into our writing. We want to immerse our readers into the world. We want them to experience it. Being able to imagine a character's accent is only part of that experience.

However, building accent into the written form is not a simple matter of slapping a few letters onto the page. Like everything else we do in writing, it takes careful thought and consideration.

Writing accent into your story could add the perfect color to your fictional world, but it could also turn into a reader's nightmare.

The length of a story has more impact on the nature of a story than people realize.  In a previous post, I wrote about how there is a minimum number of words necessary to do a story justice. This is particularly the case when working in the short story form. However, what many writers don't realize is that the length of the story will help to define the expectations of a reader when it comes to world building, character development and pacing. There will also be a literary expectation imposed by word counts.

With the publishing industry, you have six broad categories for story length: flash fiction, short stories, novelette, novella, short novel and long novel.

It's time to get down to the nitty-gritty and explain the difference between these different categories and the reader expectations involved.

We're coming up to competition season. As such, there seems to be an increase in the number of questions and discussions online about the accepted word count range for novels.

In a previous post, I discussed the limitations that word counts can have on short stories. In a recent post, I briefly outlined what the differences were between a short story, novella and a novel. Today, we're going to compile into one list what the current accepted ranges are for debut writers heading down traditional publication roads.