Category: The Business of Writing

There is more to being a writer than just writing your stories. There is a business aspect to this industry too. From hiring editor through to understanding copyright, this series is about understanding the business side of writing.

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The Real Cost of Editing

I have recently joined a freelancing site in an attempt to drum up business. Let's face it, struggling writers often don't have a lot of cash; however, in going through the job listings, I've noticed a trend. Many writers don't actually have a true understanding of how much editing really costs.

I have encountered many jobs where a person has a budget of US$10, but they are wanting their manuscript of unspecified length to be fully edited by an experienced editor. That in itself is a complete joke, but the sheer number of them (many of whom are located in the US) has driven me to write this post. I feel the need to highlight to my readers exactly how much time goes into editing, and why you need to be prepared to pay in the order of US$600 – US$3000, in some cases even more, depending on the type of editing you require and the editor's experience.

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You Need to Register Your Copyright

Under international copyright law, you own the copyright of a body of work the moment that the work is in a tangible format, i.e., it's in the computer or printed, or handwritten on paper. However, every so often, I come across some blog post or a Facebook group message, or something, where a writer is asking about copyright certificates and the like. Amazon is becoming more insistent on obtaining those copyright certificates, and rightly so.

Too many times, I have encountered some horror story where some honest writer has had their precious work taken down from the Amazon sites because some BLEEP has chosen to claim that they own the copyright. If this happens to you, it falls on you to prove the other person is wrong.

To complicate matters, far too many writers choose not to register their copyright with a copyright authority because of the cost. However, these are the writers that run the risk of finding themselves being the victim of some copyright scam.

All writers want to protect their writing as much as possible, and for the most part, people are honest. It's the shady ones that you need to worry about. Here is where taking a few simple steps can save you.

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The Rush-The-Process Dish: Volume 2

Over a year ago, I jokingly reported about some of the flavours of the Rush-The-Process dish. I'm talking about those scenarios where writers are in such a hurry to submit their work for publications that they skip vital steps in the editing or publication process.

In that post, I spoke about the ones who only have family and friends looking at their work, not other writers or editors. I spoke about the ones who take editorial reports and stick to the most basic of rewrites. Then there are those who submit to agents and publishers unfinished works, only to go into full panic mode when they get the request for fulls. And my personal favourite: upload to Amazon without editing at all, because they supposedly can't afford it.

But there are some other flavours to this Rush-The-Process dish that also requires some attention.

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There’s a reason for the standard manuscript format

In this day and age, many submissions are handled through email. Agents and acquisition editors will often look at the submissions sent to them on an electronic device, commonly a computer or tablet screen. For many submissions, the initial contact is contained in the body of an email (no attachments). If additional materials are asked for, agents and editors expect things to be in the standard manuscript format. Yet, agents and editors will still look at those added materials using electronic devices.

So, if everything is now electronic, why must we format our manuscripts using a format that was devised back in the day when everything was printed? Well, believe it or not, the standard manuscript format is very specific for a reason.

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