Open post

The Real Costs of Editing… Again

Every so often, I find myself in a situation where I have a discussion about the real costs of editing. In the past, when I have had this conversation on my blog, it has been about the time it takes to read a document and the effective editing time as a consequence. However, recently I have found myself in a situation where perspective clients have been assuming that my rates for larger projects are based on my sample contract rate.

Whenever I have an inquiry from a perspective client, in the initial response that I send back, there is often the offer of a sample contract. I do not offer free sample edits—I never have and I never will—but I do offer a smaller substantive editing contract that does not need to go through my full onboarding vetting process. Any prospective client who wants to see what I could do with their work on a smaller scale are given the opportunity to employ my services through this smaller contract. I also point out that should a larger contract come from this, containing the same words that were found in the sample contract (with some editing expected), the sample contract can be used to offset the cost associated for the larger contract.

But here is where assumptions were made.

There have been some prospective clients that have taken the fee associated with the sample contract and have extrapolated the cost associated for their manuscripts based on a linear scale. As such, they assumed that I would be charging in the order of US$6000 for an edit on 100,000 words. This is certainly not the case.

My father is often fond of saying that when you "assume" things that you make an "ass" out of "u" and "me". And this particular assumption is no exception.

In today's post, I want to highlight why this assumption is a bad assumption, and I want to bring to your attention some of the facts associated with the real costs of editing.

Read More

Open post
Guilty

Should you hire an editor who isn’t published?

Editors have their insecurities just as much as writers do. One common insecurity among editors is how to handle the situation where people won't hire us (or trust our knowledge) simply because we aren't published ourselves.

Editing can be very expensive, so writers want to ensure that their money is not being wasted. They want assurances that the editor being hired is able to do the job and do it well.

However, just because a person has published a book doesn't mean that they would be a good editor. And just because they haven't published doesn't mean that they would be a lousy editor. All it means is that they've published… or haven't published.

Yet, I have seen this rotten advice given to newer writers time and time again on social media feeds.

Let me say it right now: Anyone who swears by this rotten advice is missing out on the services of some extremely talented editors who have years (and, in some cases, decades) of experience behind them.

In today's post, I want to take a deep dive into why this rotten advice is rotten, and explain why you can't focus entirely on an editor's personal publication history when seeking their services.

Read More

Open post

Using stock images doesn’t mean your covers are AI-generated

I'm not going to argue that the introduction of AI-generated material has changed how we view things. From copyright to the quality of images and writing, systems like ChatGPT and Midjourney have been a game-changer. I'm not going to even talk about the ethics that revolve around using such systems. No, that is a discussion for another day.

But the technology, or more appropriately the lack of understanding of the technology, has led to some ludicrous statements.

How would you react if someone tried to tell you that because your covers used images found in a stock photography website catalog that your covers were AI-generated? That because the fonts used on your covers were in a catalog on the internet that your covers were AI-generated? Oh, and because the graphic designer used Adobe Photoshop to create the cover makes that cover AI-generated?

Well, if you were me during that conversation, you would have had a field day.

Let me set the stage.

Read More

Open post
Old-fashioned printing press.

Obtaining Your Own ISBNs

For those who are self publishing, if you are using portals such as Draft2Digital or Amazon KDP, it is highly attractive to use the free ISBNs available through those publishing portals. For some writers, the cost of the ISBNs is something that is not in the budgets. But those free ISBNs are not registered to you. They're not something that you can take with you when using another publishing portal. And if you were to run an ISBN search, you would not be listed as the publisher.

In today's post, we are going to talk about the importance of sourcing your own ISBN numbers if you are self-publishing your books.

Read More

Open post

AI-Generated vs AI-Assisted: Where I draw the line

If you aren't sure what I'm talking about when I say ChatGPT… What rock have you been living under?

Writers around the world (novelists, screenwriters, poets, short story writers, etc.) became concerned when ChatGPT exploded onto the scene in late 2022. No one really knew what it could do or how far it would go. And the market became flooded with AI-generated stories—most of which were not worth the 1s and 0s used to create them. But ChatGPT evolved… and so did the concerns.

In 2023, it came to light the copyright nightmare that was ChatGPT, and we're still trying to deal with that as an industry. Amazon added tags to their KDP system, requiring that publishers specify if a body of work was created using artificial intelligence (AI). Lines were being drawn about the ethical usage of the technology, and lawsuits were filed against OpenAI (and other AI developers) regarding their abuse of copyright laws in sourcing the materials used for training of the algorithms.

We are now in 2024, and there is still so much we don't know or can't agree on regarding the usage of AI within publishing. There is only one thing that is certain: AI is here to stay.

As writers and editors, we are now being forced to make decisions about how we will conduct business. It's about drawing a line between AI-generated works and AI-assisted works.

Read More

Posts navigation

1 2 3 4 5 6
Scroll to top