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Police, Death, and Writing

On December 27, 2017, I started penning my crime thriller where a writer encounters a sinister website that leads to a game of cat-and-mouse with a serial killer. The idea was bouncing around in my head for two full years before I eventually started writing anything. All I had was the opening scene and the closing scene. Now, for obvious reasons, I have so much more.

However, as part of writing this novel, I've had to do extensive research into how Atlanta PD does things, how they're structured, as well as getting my head around some interesting aspects of US law and criminal investigations. It's been a testimonial to my mad research skills, because I live in New Zealand, and almost all of my research has been via the internet, and the occasional reference book. My research led me to police department websites, FBI public pages, state department documents, forensics magazines, YouTube channels for various cops, and a whole range of other resources. In some cases, I had to make generalizations, using what only made logical sense. In other cases, I was able to pull on specifics. Regardless, I was learning something new every day.

Stories need to contain that element of real, and I think I got there. However, as every writer knows (or at least they should know), not all research will find a manuscript. Sometimes, the writer needs to know that little detail just to add the realism, but the reader doesn't get all the knowledge.

Below is just some of the interesting facts that I've discovered along the way. Some of them have found the manuscript; some have not. 

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Purple Prose: A Literary Term Defined

There are many different terms that are commonly used within the publishing industry that many new writers look at those terms with one simple response: "Huh?" Even a few experienced writers will look at those terms and be completely baffled.

Over the past few weeks, I've been compiling a list of these terms. The list is actually quite extensive, and much bigger than I first thought. I've decided that it's time to help new and experienced writers to learn what some of these terms mean, so if you ever encounter them in an editorial report, you're not completely confused by what the editor is saying.

Let's start with one that tripped me up when I first started as a writer: Purple Prose.

To put it simply, purple prose is any passage that is excessively descriptive.

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Guilty

#CockyGate and Trademark Hell: Enough is Enough!

In June of 2018, the entire publishing world was thrown into chaos by #CockyGate. It was an absolute train wreck that was happening in slow motion. What started as one woman's horrible mistake (and lack of understanding of trademark law) blew up into a full-scale witch hunt.

Pitchforks were seized by the masses, and the mob was on the loose. No one was safe from this shit storm (and yes, I deliberately swore). I watched my social media feeds with my jaw open, waiting for the next author to be attacked. And the bullying took a long time to stop.

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Sleep, Oh Precious Sleep…

Sleep, oh precious sleep, why for art thou eluding me? Why must you be so broken? Why must I sleep so lightly?

Oh yeah, that's right... I have children.

New mothers and women who are thinking about having children, listen up, and listen good. Accept it now. Sleep for you is over. You might get the odd night of deep slumber, but it won't last. This I can guarantee you. Trust me, having children is the worst thing that any woman can do for their sleep pattern. And it really doesn't matter that I happen to have two teenagers. They are STILL waking me up at all godly hours of the morning.

If you are a mother yourself, you will know exactly what I'm talking about. Sleep is something that disappears from your life before your children are even born.

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Using an Editorial Synopsis to Find a Story Split

So you've gotten into writing this story idea, and the word counts are steadily climbing. You're not even a third of the way through your intended plot, and already you've hit the industry accepted word count for your genre. Before you rush off to turn your manuscript into a trilogy, think this through.

As I've discussed before in the post Length matters, but story matters more,  agents and editors use word counts as a first-level indication of the maturity of the writing. Going dramatically over what is considered to be an acceptable word count length could be a sign of over writing — writing that is filled with too much backstory or unnecessary description. Yet, coming under the word count could be a sign that not enough attention was given to the details — that a story is all tell and no show.

But let's say that you are the most gifted writer on the planet, and that every word in your manuscript has its purpose. (We'll ignore the fact that a professional editor will have different ideas, but we'll carry on.) There is no way that you can do your story proper justice in a single book. Or maybe you set out from the beginning to actually write a series.

The place where a novel finishes is NOT when you hit 100,000 words, but rather when a story plot arc comes to a conclusion. This is where the dreaded synopsis can help in a big way.

Writers who are heading down the traditional publication path are likely about to scream at me. Synopses are scary things — whittling that 80,000+ words into only 500. But that's a submission synopsis. What I'm talking about is an editorial synopsis. 

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