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Woman looking at what it means to be diverse.

Has Woke Culture Become Too Much?

I have been thinking about this for quite some time, trying to understand why film, television, and books seem to be filled with stories that want to push some form of political correctness agenda. They push into the foreground sexual relationships and gender identity issues that seem to have no context or relevance to the story. For me, this is a problem.

Before I get too far, I need to highlight that I deliberated for a long time about whether I should say anything about this on public channels or not. In the end, I decided that this push for diversity has created a gap within storytelling that is harmful to the industry as a whole. As a developmental editor and writing coach, I can't let it go by without it being addressed.

I have zero issue with LGBT+ stories, as long as that sexual orientation is just a part of the character. I adore reading stories about characters from other cultures and different backgrounds, as long as those cultures are put into context. And as far as I'm concerned, the physical appearance of a character almost has no place in written stories, unless there is something significant that has an impact on the way the characters interact (or impacts on the plot). Everything that is on the page (or on the screen) needs to have context.

And in my opinion, that is the heart of the problem. In many stories being produced today (enough to be noticed), the push for diversity is without context within the storytelling.

If you are willing to humor me for a moment, I will explain why context is vital when it comes to diversity in stories.

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The Role of the Antagonist

When we start the conversation about the protagonist and the antagonist, some writers will instantly jump to the conclusion that we are referring to a "good guy vs bad guy" story.

One might ask, "What if I don't have a villain in my story?"

My response: "Not all stories have villains. But all stories have characters striving towards a goal of some sort… and there is always something getting in the way."

It is that understanding of a character's goal, and consequently what is getting in the way, that helps us to understand the protagonist and antagonist for our story.

In today's post, I want to examine what really makes the protagonist the protagonist… and what the role of the antagonist is.

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Confused Mother

What happened to “communication”?

As I write this, my husband and I are trying to work with a contractor to get our bathroom renovated. The house was built back in the 1980s, and we're fairly certain that it's the original cabinetry and other bits. The taps and shower head were changed out back in 2005, along with a new shower door, because that is all stuff that my husband and I did back when we bought the house. But now that we don't have "little ones" anymore, it's time to get rid of the dinky bathtub and give the room a bit of a facelift.

So, new shower, new vanity, new toilet, and new GIB on the walls and ceiling… along with new lights, new fan, new heater…

You get the idea.

Well, this entire experience of working with the contractor has opened my eyes to how contractors do business—or more appropriately, how they shouldn't do business. And my biggest gripe: Lack of communication.

Let me give you a bit of history here, so you can see why I'm really getting miffed about this "lack of communication" issue.

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Set Learning Goals

There is a saying: You're only as good as the last book you published.

The newer writer might look at that statement and suddenly panic about not yet having a publication. Let me alleviate those fears right now. It's okay if you are still working on your first publication.

The saying above is just a reminder to us writers that we have to continually evolve. Just because you have published a book doesn't mean that you can stop learning. With every book that we write, our skills should be improving.

While some writers are able to take the same formula from one book into the next, for most readers, the same-old book quickly becomes boring. So, we writers need to adapt as a consequence.

The industry is constantly changing. New technologies are becoming available to us. As such, we have to be prepared to change too… or get swallowed up by the evolution of the industry and be left for dust.

So, how is a writer meant to survive when you are only as good as your last book?

Well, for every book that I write, and with every stage of the production process, I aim to learn something new to help me along my journey.

In today's post, I want to talk about setting learning goals for our projects.

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Quality vs Quantity: Where is the balance?

Where does one draw the line between quality work and the quantity of work? It's an argument that has been around since the beginning of human society… and we still struggle to find a balance. And for a writer, it's a question of personal standards vs the desire to make money.

Let's face reality here. If you want to get recognized for your efforts in any industry, you need both. You need the body of work to provide a range of products that you can sell, but you need to produce quality products or no one will want to buy what you have in the first place. BUT if you spend all your time on creating quality products, you won't have the quantity needed to build a back catalogue. AND if you pump out the work, focusing on quantity, then you are likely to slip in your standards and start producing sub-standard work.

It's important to find that balance. But it's not easy.

For many years now, I've been spending so much time on building my online presence and my overall platform. I'm proud of what I've accomplished. But when I started to look at what I had built vs where I would like to be, and compared it to what I still need to do, I started to cry—and not in a good way. I had fallen into the quantity trap. While I was still producing quality work in what I was doing, I was trying to do too much of everything that the most important parts of my platform were falling apart before my eyes. The things that I really wanted to do—the reasons why I became a writer in the first place—had completely disappeared from the equation.

My platform was in desperate need of an overhaul.

Step 1: Recognize where I was falling short.

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