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Hanging a lantern on it is NOT cheating

For those who don't know, the term hanging a lantern on it refers to when writers deliberately highlight something that is not what readers expect, but it is done in such a way that it's a fleeting moment, asking the reader to accept things the way the writer is presenting it. It's an important tool for any fiction writing that deviates from "normal" society.

But there are some writers who believe that hanging a lantern on it is cheating, but it's not. It's asking your reader to trust you and accept the world that you are presenting, asking them to put aside their preconceived ideas and beliefs long enough to enjoy the ride.

In today's post, I want to explore why hanging a lantern on it is an important device to have in your toolbox and how it can actually save a story from the fires of reader criticism.

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We could have had a moon base by now

It's fun to sit down with my son and watch the old science fiction TV shows and movies. I've successfully got him hooked onto Star Trek (and he informs me that Deep Space 9 is his favorite series from the franchise). We've binge-watched Farscape (by far one of the best science fiction shows… so funny). We've had discussions about Battlestar Galactica, admiring how the various way the 2004 series pays homage to the original 1978 series. And when he's home on holiday, we've been diving into Babylon 5.

I've successfully convinced him that Firefly should have never been taken off the air when it was, and we both agree that the psychedelic trip into the monolith at the end of 2001: A Space Odyssey is just a "WTF?" moment. (But seeing the original gave him an extra level of appreciation when Farscape did their parody scene.)

During our binge watching of old TV shows, he's been laughing at the absurdity of the situations (and how the writers got away with a lot of things that they would never be able to get away with today). But it's the inaccuracies of the past timelines for the show that gets him the most. How wrong did fiction get their predictions for reality? Whenever he gets incredibly cynical, my response seems to always be the same.

Before you start to criticize the science fiction of old, highlighting how wrong they got the predictions, take a look at the real history and the trajectory that we were on when those books were written and when the films and TV shows were filmed.

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Confused Mother

Is it a blurb or a synopsis? (Publishing term explained)

There are some publishing industry terms that are designed to confuse us. It's like the people who created the terms did it deliberately, determined to make all of us scratch our heads and question the sanity of those around us.

Today's term is doubly confusing, because it has different meanings depending on the context.

Blurb and synopsis. Two words that can have the same meaning, but have completely different meanings at the same time. (I did mention how some terms were designed to confuse us, right?)

Let's break this down and define these terms.

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Don’t ask about the published works. Ask about the work-in-progress.

I became serious about publishing of fiction back in 2013, starting the process about learning everything that I can about what it was really going to take to publish fiction. In 2015, I chose to retrain as an editor. And every single day since I opened up for business, there has been this underlining doubt.

How can I prove that I know what I'm talking about when I'm haven't got the proof in the pudding?

Every time I encounter a writer who is focused on books that I've published, I find myself in a position where I have to defend my choices, which is something I shouldn't have to do. And when I get accused of being a hack because very few of my clients are published, I get defensive of my clients and want to go in for the attack.

I thought I had come to terms with my demons and had developed strategies to get past them so I could do my job. However, a recent interaction via Instagram brought all the insecurities flooding back, making me question all of my choices—yet again.

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Every writer needs to learn to say “No”

On discussion panels for writers, there is always this one question that seems to come up: "If there was one bit of advice that you would give to new writers, what would that be?"

Most of the time, you hear advice about not giving up and persevering until the bitter end. But there is something that I've learned that seems to have stronger importance in the publishing industry than anything else.

Writers need to learn to say "No."

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