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Too many short sentences make a scene feel stilted

When I was still new to writing, someone told me that to write a good action sequence you had to use a lot of short sentences. The idea was that short sentences were straight to the point and didn't give you a chance to add fluffy stuff. When I was told this advice, I was told that the short sentences would speed things up. Now that I'm more experienced, I know that this was bad advice and fundamentally not true.

Short sentences can be a great device to add emphasis, which is why this misconception exists. When used wisely, the short sentence can create urgency within your storytelling. However, too many short sentences in quick succession will create a stilted feeling in the narrative that is disjointed and slow to read. It can even make things confusing.

In today's post, we're going to discuss the true nature of using short sentences in action sequences.

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We let them in: The online friendship scams

I've had a LinkedIn account for a good number of years now. I signed up when LinkedIn first started, wanting to connect with my fellow researchers. LinkedIn is a professional networking site, and it was a perfect place to build those connections, particularly with those who are overseas. But when I started my editorial business, I chose to shift the focus of my LinkedIn account towards my editorial ventures.

So, I went into LinkedIn, updated my profiles and decided to connect my LinkedIn profile to my business email.

A few days later, I got an email from someone who was commenting on how pretty I was. Those sorts of pickup lines are never going to work on me anyway, but I emailed back, asking if he had any editorial business that he was interested in contracting. The sleazy pickup emails continued, and eventually I had to block the dude's email.

But when this happened, the only question that went through my mind was "How did this guy get my email address in the first place?" The email that he was sending his sleazy pickup lines to wasn't listed on my website. I hadn't shared it with anyone because it was a brand-new email. The only place that had that email in a public setting of any description was LinkedIn.

And that's when I discovered that LinkedIn has a little flaw.

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You don’t have to use an editor’s proposed solution.

The job of a developmental editor is to highlight areas within a manuscript that are problematic and provide possible solutions on how to fix those problems. However, it's the writer's job to fix those identified problems in a way that works for the story and holds true to the writer's vision for that story.

That doesn't mean that the writer is supposed to just bow down and do exactly what the editor tells them to do. The editor could be wrong. But it's up to the writer to make that choice.

In today's post, I want to talk about my own experiences of working with editors on my own manuscripts and how I, as a writer, had to make the choice to tell my editor "no" to his solution and do it my own way.

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ChatGPT is here to stay, but so am I

The publishing industry has been in a big, confused mess about the emergence of ChatGPT, a freely accessible artificial intelligence (AI) program designed to write creative works based on a series of prompts. [1] While the technology could significantly improve things for some people, writers everywhere are uncertain about the full impacts that the technology will have on the publishing industry.

The ChatGPT program can write any story of any length in almost any style. And therein lies the problem.

At the moment, it is reasonably easy to tell when a piece of writing has been generated by ChatGPT, but as the algorithm learns—and I really mean "learns"—it will get harder and harder to tell. The market was already overwhelmed by the scam writers out to make a quick buck, but when ChatGPT came online, the saturation became worse.

Literary magazines like Clarkesworld became inundated with AI-generated stories, and they closed their submissions portal as a result, while they figure out how to handle this miss. [2] Amazon has seen a sudden increase in self-published books on the platform. [3] And there is now great concern about the future of professional ghostwriters, knowing that businesses no longer need to hire a ghostwriter when they can get an AI program to write their material for free.

Exactly where this is all going and how the industry will ultimately respond to AI-generated stories is still unknown.

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5 ways to drive your editor batty

Every editor has a few pet peeves, things that irritate them when they see them. But we editors suffer in silence, correcting those issues and moving on to the next page of the manuscript. But there are editors like me who happily turn those pet peeves into blog posts, showing the world how irritating they can be.

Today's post dives into some of the things that writers do that can drive an editor to the coo-coo train.

(Now, watch, some of my writing buddies will turn this into a challenge to see if they can work all of these things into their next writing piece that they share with me.)

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