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You don’t have to use an editor’s proposed solution.

The job of a developmental editor is to highlight areas within a manuscript that are problematic and provide possible solutions on how to fix those problems. However, it's the writer's job to fix those identified problems in a way that works for the story and holds true to the writer's vision for that story.

That doesn't mean that the writer is supposed to just bow down and do exactly what the editor tells them to do. The editor could be wrong. But it's up to the writer to make that choice.

In today's post, I want to talk about my own experiences of working with editors on my own manuscripts and how I, as a writer, had to make the choice to tell my editor "no" to his solution and do it my own way.

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ChatGPT is here to stay, but so am I

The publishing industry has been in a big, confused mess about the emergence of ChatGPT, a freely accessible artificial intelligence (AI) program designed to write creative works based on a series of prompts. [1] While the technology could significantly improve things for some people, writers everywhere are uncertain about the full impacts that the technology will have on the publishing industry.

The ChatGPT program can write any story of any length in almost any style. And therein lies the problem.

At the moment, it is reasonably easy to tell when a piece of writing has been generated by ChatGPT, but as the algorithm learns—and I really mean "learns"—it will get harder and harder to tell. The market was already overwhelmed by the scam writers out to make a quick buck, but when ChatGPT came online, the saturation became worse.

Literary magazines like Clarkesworld became inundated with AI-generated stories, and they closed their submissions portal as a result, while they figure out how to handle this miss. [2] Amazon has seen a sudden increase in self-published books on the platform. [3] And there is now great concern about the future of professional ghostwriters, knowing that businesses no longer need to hire a ghostwriter when they can get an AI program to write their material for free.

Exactly where this is all going and how the industry will ultimately respond to AI-generated stories is still unknown.

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5 ways to drive your editor batty

Every editor has a few pet peeves, things that irritate them when they see them. But we editors suffer in silence, correcting those issues and moving on to the next page of the manuscript. But there are editors like me who happily turn those pet peeves into blog posts, showing the world how irritating they can be.

Today's post dives into some of the things that writers do that can drive an editor to the coo-coo train.

(Now, watch, some of my writing buddies will turn this into a challenge to see if they can work all of these things into their next writing piece that they share with me.)

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Confused Mother

Do titles like Mr and Ms still have a place?

When I was young, as in still in elementary school, I was taught that you addressed your elders by their title and their last name. Mr. Fisher. Mrs. Wentworth. Mr. Irvine. Ms. Goodman. (And yes, these were all teachers that I had at some point during my education.) If I didn't know the person's last name, I was to address them as sir or ma'am.

And I wasn't the only one who was raised with these ideas. I remember when I was 12, a friend and I went to the beach and we forgot to take a watch with us. We approached an older gentleman and asked, "Excuse me, sir, but do you have the time?" I remember this clearly, because I remember the state of shock on his face.

To this day, I don't know if he was shocked because we were two youths showing him that level of respect, or if it was because two youths had approached a complete stranger to ask for the time.

I will be the first to admit that the world from my childhood has long ago disappeared. But there are elements of the past that have eroded to the point that I'm now wondering if titles and salutations like sir and ma'am even have a place anymore.

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4 signs you have finished editing your manuscript

Years ago, I was at a writing group when a newer writer asked a loaded question:

"When do you know you have finished editing a manuscript?"

Without hesitation, one of my writing buddies, JC Harroway, blurted out, "When someone takes it away from you." Of course, the room burst out laughing, but JC was serious. She is a dreadful tinkerer, never happy with what she has written and constantly obsessing over it. But she is a writer with publication deadlines, and when those deadlines arrive, she has no choice but to hand over that manuscript to the editor or it won't get published.

But when you look at the original question with seriousness, there are multiple aspects to consider. Not only do you have those who constantly obsess over every little detail, but the editing question goes the other way, too. You also have those who think they have finished editing but in reality still have work to do to ensure that the story they envision is what is on the page.

In today's post, I want to discuss some of the benchmark tests you can use to determine if you have finished editing a manuscript.

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